Monday, 8 January 2018
All's usually well that continues well ... that's the hook 'an accomplished life'
Well after a long hiatus dealing with my cancer and creating 'real and new' projects with my partner HELENE LACELLE, i'm back at the helm of my life despite my Cancer.
Been having memory problems with FCPro7 since it's a very sophisticated software editing program ( yes i'm still using it and not X yet but will probably soon upgrade/change ... since google no longer updates FCPro7)
The question is whether to stay with FC or go Premier which cross platforms both Mac and Windows OS.
Anyway i'm working away on a series of short docs - 'cause they're cheap to make using digital gear and easier than fiction films that require actors/scripts etc.
Recently i've completed SOLITUDE shooting from my Kayak 'my panasonic 770 in one hand and my kayak paddle in the other' . Not sure if that qualifies as a 'run and gun' setup or a 'paddle&cam' style of shooting. But it's all very fast and very easy since i hand hold rather than 'rig a jig'
SOLITUDE was shot in 3 hours while the Fundy Tide and Spring ice melt raised the water levels on the Salmon River about 8' which made the riverside woods a water wonderland - no earth to be seen.
For we kayakers it was a miracle paddle weaving my way thru birches and pines floating on water instead of stepping on earth - very unique indeed.
Moments like this with make kayaking a true communing with nature event.
For those of us who experience nature 'real' not from our computer screens, the 'feel' of such an experience blossoms our spiritus sanctus.... it's naturally a religious definition of a miracle lived in reality.
I wish others could realize such experiences and as Archibald Lampman in 'Morning on the Lievre' poetically phrases 'and to experience joy like a child again'
p.s. just completing another short doc. REMNANTS which nostalgically traces the decline of the log river runs down the Salmon River to the mill - weaving the past with my present kayak paddle along the shore of the Salmon River documenting the remnants left of the old ways from those riverlogruns before they began hauling the logs with tractor trailers. 'rust never sleeps'
Tuesday, 2 January 2018
HERE'S A TOTALLY NEW UPDATE RE MY LIFELONG FIGHT WITH CANCER AND MY GREAT LOVE OF CREATIVE WORKS - 'ART NEVER SLEEPS'
ahhh well - it's the CANCER - yes a modern health issue that so many of us have to endure and live with. In my case it's a lifelong problem that can NOT be eradicated so i have to make the best of my life while every 3 months i see the hematologist , the surgeon (4 major surgeries so far), and the oncologist to see if i'm gonna live another 3 months.
Creative work never sleeps, like rust, so the saying goes... and it's that type of work i've been gifted to accomplish.
Lately i've been creating with my life & creative partner, HELENE LACELLE, a series of photographs which we have developed creatively ( sorry for the excessive use of that word ) , the 'magic realism' developed in Mexico caught my attention years back and so using that as a 'muse' HELENE and I developed/created a new type of modern and traditional art form called 'MARVELOUS REALISM'
MARVELOUS REALISM combines my photographs with Helene's traditional art work and her amazing photo-shop embellishments - we've had numerous shows across the country and recently sent some accepted pieces to Venice as well. Sales are reasonable which is another plus indicating the acceptance and interest in our marvelous art work.
Now that long winded opening will get to my movie-making side. The side that inspires me a bit more - nothing wrong with a jpg but a mp4 is still more my love.
Since the cancer has slowed me down making feature length dramas seem to be too much for me these days, but; this is where my docs take over.
With the help of award winning editor, M.C. SARDA(The Fast Runner) and HELENE LACELLE , i accomplished making several longer length docs about a social subjecct close to my heart - mental illness and homelessness : MARKO's MANIA and THE POETRY OF PAYNE.
But even these proved to be difficult as my cancer progressed and an additonal 3 major surgeries/treatments really put me 'out of it' for a while and on my return to creative movie work, I discovered that mini docs on social/nature subjects could be accomplished even in my debilitated condition
Thus out sprang a plethora of mini docs on a variety of social and natural subjects. The latest is SOLITUDE where my love of kayaking and shooting digital image were combined to produce a very interesting 3 minute natural doc proving that 'art never sleeps'
p.s. please go to movieshandmade.com to see my shorts enjoy.
Peter Evanchuck
Sunday, 10 December 2017
Helene Lacelle, Genevieve Betourne & Peter Evanchuck at the ART HOUSE CAFE
ahhh the snapOFtheCENTURY
here we be 20minutes ago with Genevieve curator/co-owner
of theARThouse
notice art piece behind isn't it MARVELOUS
snap by ALEX (inmirror)
Friday, 24 November 2017
Peter Evanchuck's MARVELOUS OTTAWA Collaboration with Helene Lacelle - XMAS Fundraiser at Ottawa School of Art
Saturday, 21 October 2017
A GNAT BEGAT - Peter Evanchuck's POEM GOES TO the 2017 VENICE BIENNALE
The
Venice Vending Machine ( DISPENSING FREE ART )project is a “collaborative, participatory,
inclusive live art public installation”, conceived by Venetian artist
Marina Moreno. Its aim is to question the role and the value of Art in
our society, whilst aiming to promote emerging artists alongside some
famous and established ones. It creates an intriguing game for the
participants who feel compelled to enjoin and involve themselves in a
dialogue that the artist Marina creates in posing the question:
“How Do You Value Art?”
Since
the first Venice Vending Machine installation, it has involved over 250
artists from all over the world and has attracted professionals such as
curators, art historians and art collectors while extending the
possibility of an encounter with people that normally would not be
interested in “Art”.
The Venice Vending Machine Edition 5 will run from the 14th to the 22nd of October 2017 from 11.00 a.m. to 17.30 p.m.
@ the Giardini della Marinaressa (Seychelles Pavillion) Riva dei Sette Martiri Venice
Private view @ Palazzo Mora, Venice on the 14th October time TBC.
The Venice Vending Machine Edition 5 will run from the 14th to the 22nd of October 2017 from 11.00 a.m. to 17.30 p.m.
@ the Giardini della Marinaressa (Seychelles Pavillion) Riva dei Sette Martiri Venice
Private view @ Palazzo Mora, Venice on the 14th October time TBC.
Wednesday, 11 October 2017
how sweet it is - bldging fence few days back 80' of it 6' high in 8' secitons - not bad for a guy almost 80 and living with cancer - terribly sore back caused by hole in spine/cancer - hope all goes well today with markings and radiation
here i am a week back in
backyard tearing down fence i built 25 years ago and with Helene's help
building a new one in 8' sections on the flat then lifitng into place
and topping with squared lattice attachement - now all up
including the trellises that i hand make from cedar strips cut from 1x6" by 8' NB cedar boards
great to have
learned/developed these building skills - making our homes beautiful
with creative designs hand build by HELENE and I - a big deal for us -
i.e. it's like 'living art'
so many people think art is
something on a board hanging on a wall but in fact it's in our everyday
lives - living among beauty is living among art i.e. aint' that grand
folks
ok off the get my cancer
radiation markings .... then 5 days of intense radiation - to kill
spinal cancer development - hope all goes well and i get at least
another 5 years of life
as said in ALICEinWONDERLAND 'so much to do so little time'
Tuesday, 12 September 2017
FAMOUS FACES FAMOUS PLACES - LIFE of PIE - PETER EVANCHUCK & HELENE LACELLE
LIFEofPIE this mornHang
'famouspeople/famousplaces' & 'ARTneverSLEEPS'
by that dynamic duo
HELENE LACELLE & PETER EVANCHUCK
enjoy
(hippies, dwebs, noodleBOYZ, hipsters, famous people welcome, byob)
photo by Peter Evanchuck - HELENELACELLE & BHATboy at PIE
Saturday, 2 September 2017
Monday, 24 July 2017
The LONG's and SHORT's OF MY LIFE
FILM DIARY - PETER EVANCHUCK
THE LONG's AND SHORT's OF MY MOVIE LIFE
After more than a decade
absence from my filmmaking life, I returned to create with digital - not
easy for me to learn, not easy for me to do much after a decade of
fighting my cancer and near death surgeries and problems. Not fun but in
many ways a very
dramatic learning experience and proves my great affection for
creating.
Due to a major decrease in
energy, memory and strength and massive changing times old school film
folks like me had to give up or learn the ‘new school’ way of digital.
Many filmmakers I knew gave
up since they could not learn ‘new school’ or they turned to other
creative pursuits like photography, art, writing…. even sculpture. For
various reasons they did not see the magnificent opportunity digital
offered the low budget/no
budget artist/filmmaker/videographer.
Digital is the holy grail
of independent filmmaking. One with equipment can basically make a movie
totally alone from script to screen for peanuts. They just have to
burrow into learning something very new, very complex and very
competitive
In the 80’s I was one of
about 30 feature filmmakers in English Canada. PLATINUM came out at the
Montreal Film Fest to original reviews since it was not a common way to
make a feature or to structure a feature – I found myself with Jutra,
Agoyan and MacDonald
on panels fielding questions – heady days as the saying goes. Around
that same period I was editor/publisher of MOTIONmagazine highlighting
Canadian film.
Since dramatic ‘longs’
(features ) were my past interest, I headed in that direction with
digital but my illness curbed that notion since long days, exhaustive
schedules and dealing with numerous people put me back on the cancer
list.
Of course my love of creating using image/words never terminated.
I thought that an easy
alternative was docs and even easier is my style of shooting: reality as
it shows up on location: no artificial lighting, no scripted scenes, no
producers telling me what to do, no agencies involved. Just the
creative moments of making/creating
‘art’ …. Raw Art - the best kind.
After doing some
promotional/industrial projects to learn and make money, I swung into
making LONG docs with BACHELORS. Of course, I overshot my diminished
abilities and doing a cross country dramaDOC put me back on the cancer
list. Tests revealed a rise
in blood count and a lesion was detected in my brain which simply put
means, the end of it all.
These experiences put me on a path back to photography with my partner Helene Lacelle creating a new style of embellished photos called MARVELOUS REALISM in a way taking from the famous Mexican style of MAGICAL REALISM – things went very well and we had fun back into our lives as well as unique ‘art creations'.
Then, back to digital movie-making when EUREKA the light went on and I swung into the dreaded SHORT doc. And like most fears proved to me an awakening rather than a hinderance of higher creative workings.
Since both shoulders suffered torn rotator cuffs/tendons and required replacements, I could not lift my CanonA1s so I bought a very light tiny PanLX7 – basically like all modern cameras a still cam with HD video. This proved a great easy tool to make SHORTS without pain then came the PAN770 another full HD camcorder. ( I tried PANfx1000 4K but not for me at this time )
Since that early SHORT on NIAGARA FALLS , I included my love of solo kayaking to combine solo KAYAKING with SOLOdocMAKING recently completing several shorts using both (shot around Chipman our new homesweet)
I have found my grail – from LONGS to SHORTS and Peter's SHORTS are getting shorter ….must be something to do with being an elder mmm??
P.S. after putting
BEAUTIFUL BACHELORS on hold Helene and I bought a Featherstone nobel
prize winning Plastic PIG for a pack of smokes and thus began CANADIAN
PIG GIRL IN WONDERLAND, a new movie - but designed to be shot when i
could with minimum actors
and marvelous scenery/scenes/places - a sad tale of redemption and
discovery of how a girl lost herself and found her voice through her
friendship with a pig - starring of course Helene Lacelle.
Monday, 3 April 2017
Tuesday, 7 March 2017
IT'S BEEN A LONG TIME ... YEP SORT OF FORGETTING ABOUT MY BABBLING - HERE'S A BIT OF AN UPDATE
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| On location under the Bank Street Bridge in Ottawa " Canadian Pig Girl in Wonderland " ( Luka Lawford, John Lawford, Sabine Modder (ANGEL OF HOPE) Director Peter Evanchuck, Matt Lawford ) |
This story also appears in the NEW BRUNSWICK Filmmakers Co-operative
NBFC Weekly Friday E-News
well since i last wrote anything lots have happened but what's on my mind lately is how we elders who have never given up , survive and what's the benefit of endurance.
well recently two items have made me 'keep the faith' of creativity in my life.
KEN LOACH's recent feature 'I DANIEL BLAKE' is right at the top of his dramatic skills - putting on screen 'real' people living 'real' lives. Reminds me of the early days in Quebec Cinema and in English Canadian Cinema with features like 'MON ONCLE ANTOINE', 'BAR SALON', 'THE BEST DAMN FIDDLER', 'GOING DOWN THE ROAD' and many others from that era. This is where our documentary tradition overwhelmed our sense of pretending drama into 'real' drama, real tragic events lived by real people - at least in those days that skill was almost normal for so many exceptional directors/filmakers. These features were 'lived' not invented with fake twists and turns catering to an pretend audience.
On that list of 'real' movies with the Canadian documentary 'feel' is Gordon Pinsent's 'THE ROWDYMAN' shot in Newfoundland, Pinsent's home province, near and around his home area of Grand Falls/CornerBrooke. Gordon lived that movie and told the real story not inventing fake news stories as silly some would 'trump' up.
Recently a documentary on Gordon's LIfe by Brigitte Berman 'THE RIVER OF MY DREAMS was screened at the National Arts Centre in Ottawa and opened at a few theatres across Canada. It catalogues a actor/writer/director's life and sums up how 'never giving up' has made both Pinsent and Loach ikons of the silver screen.
These two octogenarians not only are surviving old age they are thriving in it creatively despite their health setbacks.
I DANIEl BLAKE is without doubt one of LOACH's best movies with harsh stories about contemporary British persons facing difficult times in a changing world they they can't manouver well. It's about older age told in such an honest and real manner that the viewer can 'feel' the hardships faced by a recently laid of worker stuggling to find meaning in his 'new' life.
Berman's homage to Pinsent gives us Gordon despite recent hear death experiences the fullness of this man's creative desire never to give up but reaching into his 90's with future hopes and dreams like a river that always flow forever streaming into the ocean of a full life.
All that being said, i have to admit that i've departed from my docs to create a new almost feature length ( formerly short movie ) movie called 'CANADIAN PIG GIRL - in wonderland'. Which i'm shooting digitally like a documentary i.e. real untouched locations, one camera recording a scene no script, no meetings, just going along developing it as we creatively 'feel' what should be added organically. And that's one secret of docMaking putting it together organically - i.e. 'keeping it real'.
Thursday, 1 September 2016
hey guys hope ur sum summer is gooder than good
H&I finally enjoying our humble life style since my cancer shit not pulling me into that dark abyss like last years
seem to be recovering despite that i'm living with cancer in my chest area too large to radiate ( lifetime thing )
anyway fuck it i'm not giving up in the least
back to a modest version of my active lifestyle
yipppeeeee yoooooooo ( CapitanPETE back of WEGU sailboat with small 6hp Evinrude putting away toward grandLAKE )
shooting a short for TIFF - PIGgirl
Friday, 29 July 2016
NEW BRUNSICK FILM CO-OP article - Peter Evanchuck & Helene Lacelle - PIGGIRL
NBFC Weekly Friday E-News
July 29, 2016
US
FILM DIARY - RYAN GROOM, HANWELL, NB
Just
signed my first contract with CBC to produce a documentary called
“Maritimes from Above” about landscape aerial videography, the
techniques, and regulations behind getting grand vistas with
the film industry’s hottest tool, Unmanned Aerial Vehicles (UAV), or
what many call drones.
On
Saturday, my filming companions (Paul Archer & Jacob Groom) are
picking up our international travel buddy Rodney McAffee from the
Halifax Airport then driving to Nova Scotia to start filming.
After Nova Scotia we head to a few amazing places in New Brunswick in
the Sussex area, then to Grand Manan Island. We are just not taking
regular aerial shots but flying through gorges, caves, and between
massive trees to get unique video with our pair of
UAVs.
The documentary will be shot this summer, edited this fall, and will be shown on CBC next summer (2017).
Personality
I am nervous and excited (pumped!). I have been learning about
broadcast TV thanks to the generous support of Bell Aliant TV1 the last 4
years and now I got a chance to expand the
reach and tell a story on CBC taking all the lessons learned from past
adventures and wrapping them into an educating and entertaining 45
minutes!
Special
thanks to the Silver Wave Film Festival (and ultimately the NB Film
Co-op who hosts the festival) in facilitating the first meeting with CBC
last fall which lead to the full bloom of this
project.
Well …
almost time to pack the truck with cameras, drones, coffee, candy,
cables, and computers to start an unforgettable road trip with some of
my best friends in the whole world — to bring you,
Maritimes from Above.
Ryan Groom on location somewhere in the world.
FILM DIARY - PETER EVANCHUCK & HELENE LACELLE, CHIPMAN, NB
PigGirl is a new short drama by Peter Evanchuck and Helene Lacelle.
Marshall
McCluhan always seemed to be laying down on his leather couch in his
office at University of Toronto when I dropped by back in time. He was
always looking for an audience to reveal his
latest thoughts on pop media.
Of course his concept of the Global Village has
come true with the saturation of digital technology and all it's
offspring like youtube, facebook, etc., etc., and the mightiest of all the
selfie; that pathetic need we all have to show our stuff, flourished when digital gave it freedom of exposure.
Those
of us who use digital to make movies are married to a heavenly SD card -
'because it costs next to nothing, one can learn all they have to learn
to make selfie movies - i.e. learn
to do all the jobs that used to take ten, now takes one. Well not exactly but, if you really want to make a selfie movie drama or doc. it's now possible and, in fact, rather popular.
I
joined that bandwagon quickly when I returned to making movies after a
decade hiatus. At first, I went back to the technology I knew and the
equipment I had purchased over the years to make
feature fiction movies: Arriflex, CP16, Nagra, Senni mics, Steinbecks,
etc. (the CP16 was a layover from my days shooting for the Wide World of Sports.
A great simple camera that never fails weights a ton but never fails).
That old technology is
excellent but tedious for someone prolific and renegade It's just too
expensive and, too cumbersome and too slow. Digital is the opposite,
it's cheap, light and fast.
Being a
solo type guy whose partner is an actor/artist (Helene), it was made for
me and, others like me so, buying the new equipment was mandatory.
Armed
with relatively good pro/semi pro equipment, I can make all the short
docs i want for next to nothing compared to film costs. I still use/hire
an excellent editor for the important docs
but, for the fun ones I do all the jobs myself with my partner's
invaluable assistance.
Cancer
having overtaken my extreme lifestyle and made it quieter and more
sober, digital's advantages have fallen right into my weakened
condition; so cheap, light, fast - despite my cancer allows
me to continue to make movies albeit mostly docs which take so little
to make. Compared to dramas, they and digital are a perfect match.
So, PigGirl comes
along because our neighbour in Chipman had this pig on his front lawn
for years. Helene bought it from him for a pack of smokes. Now I don't
need much of a muse to get
creating new ideas, scripts, projects. The pig was all I needed and,
with Helene's marvelous help PIGGIRL was born and is now in
pre-producton.
This will be Helene's entry into drama directing.
Wednesday, 27 July 2016
PIGGIRL - a new short comedy by HELENE LACELLE & PETER EVANCHUCK
varied locations, from Niagara to Toronto to Kingston to Brockville to Ottawa to Montreal to Trois Rivieres
to Quebec City to Edmonston to Woodstock to Fredericton to Sackville to Alma tp St. Marten
to St John to Moncton to Grand Pre to Joggins to Halifax to Peggy'sCove and
with bucks and lucks to 'the ROCK' i.e. NFLD.
as the girl searches for her voice, she becomes a whisperer -
a pig whisperer - it's the talking pig , BABE, that guides her thru
her trauma into a great new afterlife.
'In thunder, lightening and in rain... they meet again'
photo by peter evanchuck
Sunday, 5 June 2016
' BEAUTIFUL BACHELORS & MARVELOUS REALISM '
Filmmaker Peter Evanchuck on location with bachelor Tony Kelleher in Chipman/shooting for his documentary BEAUTIFUL BACHELORS (Photo by Helene Lacelle)
PETER'S ARTICLE ALSO APPEARED IN : NBFC WEEKLY E-NEWS : CLICK HERE
In 1939 when John Grierson came from Scotland to start up a Canadian National Documentary organization called The National Film Board of Canada, he along with James Beverage began what would become the Canadian way of making documentaries - the real deal raw, and rugged. Grierson's honesty wasn't anything like the phoney, scripted hogwash or the extreme nonsense of Michael Moore and others who really make dramas that are staged, scripted and edited into preconceived stories to fit what is on the page rather than allowing the real nature of the subject to unfold and tell its own story.
Years back I co-wrote a book on the work of Richard Leiterman, who made all of Alan King's documentaries. To catch the important story moments, they shot 50 to 60 hours to get one hour of a finished project. Through this shooting, the director was able to look at the footage and find the story structure in the editing phase. An enormous amount of time would be spent in the editing room by the director since he was often not present during the shoot. He would see the footage for the first time, and would make the documentary from that footage without the emotional side effects that might have surrounded him if he had been on the actual shoot.
In many ways, I'm taking the 'cinema direct' notion of Leiterman/King and the early National Film Board's idea of what a documentary should be and add that I shoot, edit, direct and produce it. I do this without others hovering over my idea wondering if it's marketable or suitable for their many obligations. I can do this due to digital filmmaking, which has allowed all of us to document various subjects without having to be a slave to the raising of large amounts of money to complete one's work - this is a miracle for the artist filmaker.
My documentary BEAUTIFUL BACHELORS has been a long term very passionate project of mine. I'm shooting from Ontario into the Maritimes, as my lifelong battle with cancer continues. Last year, I had three major surgeries to remove tumors and part of my lungs. During the second surgery, a nerve to my left vocal cord was severed thus causing my voice to be altered so that I now sound like Tom Waites on a bad day. Of course when I contact a potential bachelor by phone my rasping, hoarse voice sometimes scares them into wondering who could sound like that and be an active, producing filmaker. So each time, I have to introduce myself and explain my voice issue, and then we get on with the shoot.
Although the documentary has been ‘on the shelf’ during my surgeries , Helene and I have continued our photo/art collaboration that we call ‘Marvelous Realism’ and while I’m shooting in Old Ottawa South looking for comments from bachelors, we’ll have our MarvelousRealism images hanging in the Loo (that’s the Loo not the Louvre ) at
Life Of Pie, 1134 Bank Street in OldOttawa south - the show will run all
through June in the loo.
Drop in, have a piece of pie and think about how creative work enhances all our lives.
Friday, 8 April 2016
Calling All BACHELORS!
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| Peter Evanchuck surrounded by a bunch of BACHELORS way back in the fun Toronto Days! |
CALL for BACHELORS for PETER EVANCHUCK's feature doc. BEAUTIFUL BACHELORS
director/producer
PETER EVANCHUCK is back at his doc. shooting BACHELORS ... looking for
lovely folks who wanna be in a movie - and have something to say about
bachelors or even better are bachelors and have an opinion why they are
who they are... this is an open call and all are invited to contact
EVANCHUCK asap.
The shoot will go fast no meetings, no nonsense, i go to ur location, use natural light ( so no light setups ) and shoot as u express ur views on bachelors and bachelor-hood.
This call for rest of week since next week will be in the Maritimes shooting there since this doc. shoot travels across Canada so is a long term project as EVANCHUCK continues his cancer treatments between shoots.
please contact
PETER EVANCHUCK at... 613 604 2859
pevanchuck@hotmail.com
www.movieshandmade.com
The shoot will go fast no meetings, no nonsense, i go to ur location, use natural light ( so no light setups ) and shoot as u express ur views on bachelors and bachelor-hood.
This call for rest of week since next week will be in the Maritimes shooting there since this doc. shoot travels across Canada so is a long term project as EVANCHUCK continues his cancer treatments between shoots.
please contact
PETER EVANCHUCK at... 613 604 2859
pevanchuck@hotmail.com
www.movieshandmade.com
Friday, 25 March 2016
OTTAWA EAST NEWS - March 24, 2016 - 'Bachelors Wanted'
READ ON-LINE ARTICLE HERE
Director/Producer PETER EVANCHUCK calling for BACHELORS to participate in his documentary BEAUTIFUL BACHELORS
Director/Producer
PETER EVANCHUCK looking for BACHELORS to participate in his documentary
BEAUTIFUL BACHELORS - experience of bachelor-hood necessary as is
having something to say about your life as a bachelor past, present and
future.
I don't hold meetings or expect to take much of ur time. You contact me, we meet at ur location, I shoot ur comments, no meetings, no waste of ur time
now if u're really clever and have a great life style then let's elongate ur participation if u have the time/interest.
Peter Harcourt a former emeritus professor called my docs 'RAW and REAL' so hopefully i'll keep 'em that way by not 'staging' shots, using all natural light, and allowing u to be who u are...
I'd like to start shooting this weekend so if u're a Bachelor let's go....
please contact me at:::
pevanchuck@hotmail.com
613-604-2859
if u like take a peek at my site movieshandmade.com
I don't hold meetings or expect to take much of ur time. You contact me, we meet at ur location, I shoot ur comments, no meetings, no waste of ur time
now if u're really clever and have a great life style then let's elongate ur participation if u have the time/interest.
Peter Harcourt a former emeritus professor called my docs 'RAW and REAL' so hopefully i'll keep 'em that way by not 'staging' shots, using all natural light, and allowing u to be who u are...
I'd like to start shooting this weekend so if u're a Bachelor let's go....
please contact me at:::
pevanchuck@hotmail.com
613-604-2859
if u like take a peek at my site movieshandmade.com
Thursday, 26 November 2015
MARVELOUS REALISM CANADA
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| Peter Evanchuck on location in New Brunswick photographing one of the many Abandoned Homes used for his next exhibition |
Sandy Hill's ONE & ONLY arts/crafts/designs Fair
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| City Counsellor Mathieu Fleury, Helene Lacelle & Chef Peter Evanchuck - smiles all around for another great show! |
Saturday, 14 February 2015
Friday, 30 January 2015
Sychronicity, Life & Peter Evanchuck
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| NBFC members Helene Lacelle and Peter Evanchuck are right in the thick of some projects. (Photo by Anthony Knox) |
VIEW : NB FILM CO-OP ON LINE ARTICLE click here
It's rather amazing how Jung’s concept of Synchronicity can affect one’s creative life - when I accidentally met Nelson Adams in Fredericton through a friend, I had no idea he would restart my film career since I had long before self terminated it due to the tiresome, annoying control others had of my work. But he did and as they say the rest is my history as once again I’m making films or rather videos. All due to the advent of Nelson and digital technology – now that’s a living example of sychronicity.
Like many independent filmmakers, I've always admired artists who’s work is very personal; from beginning to end, they create it according to their own self-awareness … very admirable indeed thought I.
"I wish filmmaking was like that," I often thought… well with digital it is – no question. We now can personally ‘make a movie’ like an artist ‘makes a painting’ i.e. completely alone using all our talents and skills to arrive at our personal view of the subject through our world experience. Not tainted by the big shots, the boys in the back room, the majors, the broadcasters, etc., etc...
We can arrive at a finished creative piece of ‘art,’ and then screen it on Youtube or Vimeo. This freedom is astounding for me and all independent, highly creative people who dislike to compromise their creations. So for the past few years I’m back at it – making my movies using digital technology.
The second occurrence that shaped my present ‘way’ of looking at movies happened in a manner that could be construed as negative but I saw it as a positive – a lesson of learning in the modern age. I halted my movie making to review this 21st century way of achieving one’s art.
We all want to make feature fiction films not shorts, not docs. We want to see our movies in theatres and get the recognition and get big compensation. Well of course that was my folly as well.
Then through a series of mishaps, I learned that it was shorts and short docs that one can make like an artist, not the big features which depend so much on so many, but videos - short docs were the answer.
When cancer struck me again last summer, I decided to put that theory into practice and make a series of 5 or 6 short docs fast and furious using digital technology. Then while convalescing from surgery and 42 days of radiation, I would use my time completing those shorts while I upgraded my skills using a great professional editing software called FinalCutPro7.
So far I’ve managed to put 4 shorts ‘in the can’ as we used to say in the film world and have two more to complete. I should mention they are such fun to make… such fun and after all life lived fully is the best life of all.
To view Peter Evanchuck's recent docs called Peter’s shorts please go to: http://www.movieshandmade.com and scroll down to the bottom of our web page where you will see the posters and the links to youtube.
Thursday, 15 January 2015
CANCER back waiting for surgery - making PETER EVANCHUCK shorts ... honing my FCPro7 skills - will do more post during 42 days of radiation
ahhh it's a shock to be told that one's cancer has returned - especially after a couple years back i was told it was safe that it would not re-occur but it has... so been doing multiple tests,scans, etc and all point to a removal of the large tumours using surgery ( throat and thorax two surgical teams like that first time in 2007 ) meanwhile, i'm rushing along making these little shorts 'cause after the surgery i have daily radiation for 42 days ... and i'm not sure how active i'll be l thus, if i can think straight i can use these short to hone my skills on FCPro7
so far i've completed 3 shorts and hope to do a total of 6 which'll keep me totally busy during my convalescing ... good luck to me and to all those who suffer from the same illness.
so far i've completed 3 shorts and hope to do a total of 6 which'll keep me totally busy during my convalescing ... good luck to me and to all those who suffer from the same illness.
Tuesday, 25 November 2014
On Location with BEAUTIFUL BACHELORS PETER EVANCHUCK on camera
Peter on location with his documentary BEAUTIFUL BACHELORS at PLATFORM STUDIOS in Ottawa with bacheloress Robin Evan Willis
Sunday, 26 October 2014
FIDDLING around the town - Mental health, addiction, guns and politics and phoney newspaper articles
Of course if one has imagination, fortitude ( what an old fashioned word , eh ) and some talent and has a life at least a bit of life like i have then there's doc. subjects abounding around town and country. Recently met a few but then that poor homeless, mental patient who was a crack addict got his hands on a gun and a guy with a car and shot a soldier at the war memorial and then drove to the Parliament Buildings and pulled off a few more shots while Harper hid in the closet ... now that's a doc since almost all of the papers except the vancouver based TYEE, didn't cover the truth - the reality of this man's mental condition - instead they speculated all sorts of gloom and doom about hidden cells and ISIS and terrorists when all that motivated the man was a mind gone askew and for that he died.... but the truth well never out unless someone like me or younger more talented and energetic seeker of truth makes the doc about this event in CaNADA's history...
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